Âé¶ą´«Ă˝Ół»­

Zoom: Family Ties

What do you do with inherited items from family members? Artist Christine Lee (’04, MFA) had her own interpretation. She took her mother’s handbag apart and then stitched its worn leather, hardware and history into tools for daily life.

October 5, 2026
Coach bag art display by Christine Lee
Christine Lee (’04, MFA), in foreground, shares her work with alumnus Norma Pizarro (’03, MFA), a member of the Art and Design Advocacy Council. Photograph by Scott Norland

What do you do with inherited items from family members? Artist Christine Lee (’04, MFA) had her own interpretation. She took her mother’s handbag apart and then stitched its worn leather, hardware and history into tools for daily life.

Coach bag art display by Christine Lee
SOMETHING WE WOULD BOTH HAVE, 2026: Christine Lee (’04, MFA) deconstructed an inherited handbag and reshaped its leather and hardware with canvas, graphite and thread, turning something passed down into objects that can become part of daily life. Photographs courtesy of Christine Lee

That transformation is at the heart of “Becoming Heirlooms,” an art exhibition that examines what families, societies and systems leave behind and what each generation chooses to keep, alter or release. at San Diego Central Library’s Judith Harris Art Gallery. 

Art display using woven basket materials
STORAGE, 2026: What happens to the things we inherit when they no longer fit into our lives? India Thompson (’21) uses reed to explore a familiar dilemma. Photographs courtesy of Ron Kerner

The exhibition draws on Âé¶ą´«Ă˝Ół»­â€™s community of artists. Faculty co-curators Kerianne Quick and Adam John Manley, School of Art and Design director Matt Hebert and alumni Lee, India Thompson (’21), Phil Rowland (’16, MFA), Georgina Treviño (’07) and Kaiya Rainbolt (’13), among others, explore memory through varied materials. 

“There is something particularly meaningful about bringing together multiple generations of artists connected to Âé¶ą´«Ă˝Ół»­,” says Quick, associate professor in the School of Art and Design. “The exhibition makes visible the lineages created through teaching, mentorship, making and the exchange of knowledge.”

Together the artists suggest heirlooms are not simply passed down. They are continually made through use, memory and choice.

Wooden hope chest
HOPE CHEST, 2026: Phil Rowland (’16, MFA) explores what families pass from one generation to the next. Repairs and knots worked into alder and lacewood represent inherited wounds, strengths, habits, beliefs and unspoken expectations. Photographs courtesy of Rob Hanson
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